AP Spanish Literature and Culture LITERARY MOVEMENTS Essay Example

AP Spanish Literature and Culture LITERARY MOVEMENTS Essay Example AP Spanish Literature and Culture LITERARY MOVEMENTS Paper AP Spanish Literature and Culture LITERARY MOVEMENTS Paper also, women's activist writing vanguardismo vanguard developments of artistic experimentation; incorporates the surrealist development (worried about dreams and visualizations); Pablo Neruda, Dragã ºn, Lorca teatro del absurdo with the conviction that human presence has no importance or reason, these works are deliberately crazy, demonstrating man in an outlandish, boundless world yet as yet conveying a meaningfull message; exchange incorporates clichã ©s and word games; Dragã ºn Generaciã ³n del 98 a gathering of writers, artists, writers, and logicians dynamic in Spain at the hour of the Spanish-American War; analysis, beliefs, innovativeness; included Miguel de Unamuno (strict topics), Antonio Machado (individual and general subjects) costumbrismo an artistic understanding of nearby regular daily existence and customs (nineteenth century); sentimental enthusiasm for lavish articulation + sensible, exact spotlight on a specific time and spot; went before (and prompted) both Romanticism and Realism barroco a seventeenth century social and masterful development that was the advancement of thoughts and subjects defined during the Spanish Renaissance; included culteranismo and conceptismo; Gã ³ngora and Quevedo in Spain + Sor Juana in Mexico romanticismo because of neoclassicism, this development concentrated on the magnificence of creative mind, the unpredictable idea of human soul, and the regular world; Rima LIII (Bã ©cquer), En una tempestad (Heredia) Siglo de Oro period from 1942 (Christopher Columbus, end of Reconquista) to 1659 described by a prospering in Spanish expressions and writing that included romantecismo and barroco; Don Quijote, Garcilaso, Gã ³ngora, Quevedo neoclasicismo development in which essayists thought back to figures, for example, Garcilaso and Quevedo and were roused by traditional beliefs; later incited a negative response from sentimentalists, who were themselves censured by pragmatists